II Semester 2022 (july - december)

Published: 2022-08-08

Full Issue

URU No. 6 (II semestre 2022) (Spanish)

Presentation

Streaming, Seriality and Diversity

Pablo Escandón Montenegro, Iván Rodrigo Mendizábal

4-5

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Monographic

On Media Convergence and Cultural Proximity: The Turkish Presence on Peruvian Screens

Giuliana Cassano

6-21

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Imaginaries from Dystopia: Politics, Technology and Audiences in Black Mirror

Byron Andino Veloz, Eduardo Andino Espinoza

22-38

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Popular Music, Interculturality and Representations of the Mexican in Netflix’s Sense8

María Teresa Garzón Martínez, Martín de La Cruz López Moya

39-49

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Dark: Apuntes de la filosofía y la ciencia ficción sobre el viaje en el tiempo

Lenin V. Paladines Paredes

50-59

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The Fashion of Capitalism Dystopia in the Obese Contemporary Audiovisual Narrative Streaming: The Cruelty Language of Squid Game

Carlos Fernández Rodríguez, Luis M. Romero Rodríguez, Belén Puebla Martínez

60-82

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El baile de los 41 (2020): Remediating Perspectives Around Homosexuality in Search of the Generation of a Commemorative Canon

Adrien Charlois Allende

83-96

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Veneno as an Emerging Narrative of Streaming Platforms and the Rebirth of an Icon of the LGBTI Community: Television Series as Protagonists of the Emergence and Memories of Characters within Audiovisual Narratives

Jorge Vega Reyes

97-106

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Miscelánea

Language, Reality and Images through Denis Villeneuve’s Arrival

Jonathan Lucero

107-124

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Ecuadorian Commercial Cinema Before and During the COVID-19 Pandemic

Álvaro Pazmiño Tello, Ana Cecilia Vaca-Tapia, Pamela Cruz

125-142

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South America: An Imaginary Built by Disney. The Study Case of Saludos amigos

María Belén Calvache, Daysi

143-157

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Reviews

Comunicación cultural y patrimonial: Entre las realidades física y virtual

158-159

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