PRODUCING THE PRESENT: TOUCHING THE BODY, WRITING, WOMEN, LANDSCAPES, AFFECTION Contemporary narratives of writers in Latin America II

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Published: 2020-10-08
DOI: https://doi.org/10.32719/13900102.2020.48.1

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Alicia Ortega
Universidad Andina Simón Bolívar, Quito, Ecuador

Abstract

Escrituras que expresan marcas de nuestra contemporaneidad

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No. 48 (2020): Producing the present: touching the body, writing, women, landscapes, affection

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Dossier
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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

PRODUCING THE PRESENT: TOUCHING THE BODY, WRITING, WOMEN, LANDSCAPES, AFFECTION Contemporary narratives of writers in Latin America II . (2020). Kipus: Revista Andina De Letras Y Estudios Culturales, 48, 7-13. https://doi.org/10.32719/13900102.2020.48.1

References

Bonnett, Piedad. 2013. Lo que no tiene nombre. Quito: Alfaguara.

Ortega Caicedo, Alicia. 2018. “Producir presente: tocar el cuerpo, escritura, mujeres, paisajes, afectos”. Kipus. Revista Andina de Letras y Estudios Culturales, n.º 44. https://revistas.uasb.edu.ec/index.php/kipus/article/view/1033/930.

Payares, Gabriel. 2014. Entrevista a Jacqueline Goldberg. “La casa es lo único que nos queda”. http://historico.prodavinci.com/blogs/jacqueline-goldberg-la-casa-es-lo-unico-que-nos-queda-por-gabriel-payares/.

Peri Rossi, Cristina. 1995. La nave de los locos. Barcelona: Seix Barral.